Wednesday, 8 February 2017

Springing for Springtime

It's a gorgeous spring day here at Squirrel HQ. The birds are singing, the sun is shining and many of the lovely spring blooms are brightening every corner of the garden. February is a funny old month. Often the coldest month of the year here in Britain, there can also be days of glorious sunshine when the snow, wind and icy mornings feel like another time. But, we can also be caught out, and the frost, snow and ice come back again.

It must be because of their dogged determination to bloom whatever the world throws at them, that I really admire early spring flowers. No matter how cold that wind, or how much they are buried by snow, they still come up. Good for them I say.

With this in mind I decided to give the little viola a centre stage for my next project. With flowers that are just an inch or so across, violas blooming en masse with their little faces all turning towards the sun, are a joy, but one on it's own might just be a little underwhelming. Why not make it BIG?

Starting softly

Delicate, almost see through petals in pastel shades needed gentle washes and glazes

Building up

Stronger hues for the yellow staining and darker blue petals added to the form and dimension 

The fine details

I loved adding the characteristic veining to the lower petals.

I called this process 'tattooing' the petals 

Putting the face on

Bright Blue Viola

With the complicated centre complete,
the Viola had put it's game face on and was nearly ready to take on the world
This was a great little project for February, and only took a few days to complete. With a limited palette of just a couple of blues and yellows, with some red thrown in for the shadow tones I really enjoyed taking a simple approach, and using a delicate touch to get that fluttery and fragile appearance. Having enjoyed this one so much myself, I've decided to make Bright Blue Viola the first of my new 2017 tutorials on the website. 

Wednesday, 4 January 2017

Happy New Year

Well, here it is, 2017, and we might as well start as we mean to go. Here at Squirrel HQ there has been no time to sit and wonder about how things might go, they're going already. Now, I'm not one for resolutions, but I am one to set myself goals. Something to challenge and make me take up opportunities that might otherwise go elsewhere. 

'Nature does not hurry,

yet everything is accomplished'

Lao Tzu

These will do to get things going:

As I said in the last post, the Botanical so Beautiful website is taking a break during January to give me some time to introduce some technical upgrades that will really make the tutorials sparkling clear and ready for anything. It has been such a wonderful experience, and made so much better by the generous members who have joined me. 

While the upgrade is taking place, there will be no interruption of service on the website, and all tutorials, sketchbook exercises and Technique Tool Box videos will continue to run. The Bitesize mini tip sheets will also resume shortly. These have been really popular, and although they started as a trial towards the end of last year, I have decided to carry these on. If you would like a fortnightly copy of Bitesize, sign up for the free tutorial on the website, where you can get your hands on some lovely freebies. Yes Please 

Some of the projects available on the Botanical so Beautiful website

Technical advice is an important part of everything I offer, both here on the blog, and on the website. Here are just some of the images from the Technique Tool Box videos and Sketchbook in Practice... exercises that are available to help everyone get the results they are looking for in their painting.

Elsewhere, I am delighted to announce that I have been invited to join the team of tutors at the London Art College. Their Diploma Botanical Painting distance learning course is a great foundation for anyone looking to further their experience and knowledge of botanical art, and some of the alumni of this course have gone on to complete the SBA DLDC in Botanical Painting. It's definitely worth considering if you fancy an introduction, as it covers drawing, graphite work and compositions. I'm really looking forward to welcoming lots of new students, and helping them to achieve their own painting goals.  

'If you want to achieve greatness,

stop asking for permission'


Lots of other ideas and plans are in the pipeline for 2017, but for now, here's the latest painting getting started.


Lastly, Ruby Rosehip became the December tutorial but was also a lovely subject to paint. Lots of rich and cheery oranges and reds mixed with a new Daniel Smith colour made a real impact against the deep greens and browns. The painting also gave me the chance to introduce a bit of troubleshooting. When a painting goes a bit wrong, it's not always the end of the world. By making the highlight too dark, I was able to go through the process of lifting unwanted colour.

This process has suddenly become a bit of a buzz on several You Tube channels, with other artists also demonstrating a take on the idea. Some I have seen are a little extreme, rubbing the paper and really damaging the surface. I would always suggest a cautious approach when lifting dry paint.

See the Ruby Rosehip You Tube Technique video

And the finished painting 

Saturday, 24 December 2016

Season's Greetings

Well, I've been away from the blog for a little while, but fear not, I have been very busy at Squirrel HQ with lots of new projects, and will be back in the new year with lots more news to share with you. 

The tutorials on the website are also having a bit of a technical upgrade, and will be bigger and better, and back on the website in February. The archives are really growing, with seven full length tutorials, 3 sketchbook exercises, lots of Technique Tool Box videos, and plenty of extras arriving in inboxes to keep everyone busy over the festive season.

In the meantime, I would like to wish you all a Very Happy Christmas, and here's to a fabulous 2017. See you soon. x

Friday, 14 October 2016

The Treasures of Autumn

Seasonality is generally something that affects what goes into my fridge. The short season of asparagus, Jersey Royal spuds, strawberries, and many other delicious delights means we love them all the more for their limited availability. Well, so it is with subjects for botanical painting.

This week I finally finished a study of a shiny conker in its prickly shell, and immediately felt a sense of achievement. You see, I have waited two years to finally have the time, and a specimen to paint. Of course, I could have worked from a photo, but there is a fine and worthy tradition of painting from a live subject, and I love to have the real thing in front of me, sharing its finest features. A bit like a silent teacher, helping me to understand its form, colour, and character. It's not just any conker, it's this conker.

"A good teacher can inspire hope, ignite the imagination,
 and instill a love of learning."

Brad Henry

Starting with an accurate colour chart, and an accurate outline drawing on tracing paper, I decided to work the composition at three times actual size. Making an impact with a small subject gives it a certain sense of gravitas I find, and makes the most of the interesting textures and architectural form of the conker. After all, they do look pretty unusual.

Working a series of initial wet-in-wet washes is a good way to create some early texture, and changes in tonal contrast, achieving a good base for the depth and detail. There is also a certain amount of spontaneity which allows the paint to find its own way, adding to the textures.

Once several layers are worked, the finer details are applied using a fairly dry brush and darker mixes. Careful, and slow progress is made here, as it's so easy to get impatient. Lots of breaks and a critical eye help at this point.

Highlights are maintained for as long as possible, before subtle colour is introduced to break them up and take away the false brightness. Only a very small portion of the brightest highlight is left, with the rest being softened into the form of the conker.   

Finished. Just as it is easy to get impatient, it's also easy to get overly carried away with the detail, by overworking the painting. When I think I am done, I will often leave a painting for a few days, and come back to it. If I'm still pretty happy, I'll leave it, and if it needs a little more, I'll work on it for a bit.

"Have patience with all things, But, first of all with yourself." 

Saint Francis de Sales    

The full step-by-step tutorial for 'Conkertastic' will be available on my website later this month. For further info please visit Sketchbook Squirrel, where you can sign up for a FREE video tutorial package, or join my full membership subscriptions for the full tutorials library.  


Wednesday, 5 October 2016

Growing Your Own Rainbow

This year I had a go at growing something of a horticultural novelty. You may have seen images of Glass Gem corn on Facebook, Twitter and Instagram, and like millions of other people thought, that's been photoshopped, corn isn't that colour, it's not real. Well, I can now confirm, it is!

"The thankful receiver bears a plentiful harvest." 

William Blake

At the beginning of the year I was gifted (from an extremely generous, and rather lovely new gardening friend) with a small brown envelope containing a small amount of the precious seed, and after reading up on when to sow, where to place and how much water to give, I planted the precious, but rather unpromising looking dried out brown seed and waited.

Glass gem corn is a stunning variety selected over many years by Carl Barnes, a part-Cherokee farmer and breeder from Oklahoma, now famous for his work in collecting and preserving rare varieties of native crops. Selected from crossing several traditional, heritage corn varieties and saving seed from the vivid, translucent kernels Glass Gem corn is being shared and grown around the world. By saving the corn ears that have the best colour variations to dry out for their seed, the following year's harvest is more likely to continue to have good colours. See Native Seeds

My little supply came from a lovely grower who trials new varieties of all sorts of plants, is passionate about heritage varieties, and writes about his results. He's a lovely guy, and offered to send me some of the Glass Gem corn seed to have a go at growing, and painting. With just a handful of seed to play with, I was a bit apprehensive, and only planted a few, to give it a go. It's pretty straightforward to grow, but gets huge! And although you can get quite a few cobs, it's all a lottery when you grow this stuff, as you can't tell from the outside, how colourful it will be on the inside. When it was getting to about 7ft tall with a number of swelling cobs, I was pretty sure we would get something out if it.   

The advice I was given is that it's best to wait until the leaves around the cob are beginning to yellow before you harvest it, and waiting was the hardest part. However, this week I was able to start bringing in my few cobs of corn to see what I had managed to get. The first two, although pretty were a bit devoid of the now famous, vibrant gemstone hues, with paler blues and pinks, or a mixed combo of yellows.  

Pretty Pastels

As with all plants, the harvest and colours of the corn are determined by the conditions
How much rain or sunshine or the position where the plants are grown will all have an impact on the colours.

it's best to wait as long as possible too. |I think this one could have been left a little longer,
to help the colours to develop a little more  

Number three however, came up with something really quite astonishing. After peeling off the papery husk, a bit like pass the parcel, the colours were slowly revealed. Just how good they would be, I had no idea, and was completely bowled over by the multicoloured, glistening pearls that eventually came out.

It has been a very great privilege to grow this most unique, and rare variety, and like many who have a go, I am completely hooked. Now to dry out the best of my corn, ready to sow for next year.  

"Don't judge each day by the harvest you reap but by the seeds that you plant."

Robert Louis Stevenson

Well, being unsure if the glass gem would actually be successful, I hedged my bets and had a go with another variety of corn that caught my eye. Having seen these before in the Sarah Raven catalogue, and being quite intrigued by their deep maroon colouring, I decided to give Strawberry corn a try.

Choices, choices, choices. Hmmm